May 9 – June 20 | Open House - May 8 – 6 pm to 9 pm | Steven Howard is an extremely introspective artist who picks away at the layers of life and its meaning. A multifaceted artist, he can be found making collages, painting, sculpting wood and landscaping. His work is everywhere - you'll see it if you look.

May 9 – August 15 | Opening Reception - May 8 – 6 pm to 9 pm | Artist Talk - May 9 - 1 pm | Leta Bak is an artist local to Grand Forks. She is heavily inspired by the terrain of the Boundary Region. Her work pulls the energy of her natural surroundings and captures it on canvas.

May 9 – August 15 | Opening Reception - May 8 – 6 pm to 9 pm | Artist Talk - May 9 - 2 pm | Anna Semenoff has a strong sense of observation. Her simplified palette and distorted forms force the onlooker to feel a sense of emotion. She clearly understands the structure of her subjects. Anna's work is thoughtful and full of mood.

June 27 – August 15 | Open House - June 27 – 1 pm to 3 pm | Sonja will be showing a number of works that explore her travels throughout the world. A colourful collection of work that will certainly transport your mind to different destinations.

March 21 – May 2 | Open House - March 21 – 1 pm to 3 pm | Anna Semenoff has a strong sense of observation. Her simplified palette and distorted forms force the onlooker to feel a sense of emotion. She clearly understands the structure of her subjects. Anna's work is thoughtful and full of mood.

January 31 – March 14 | Open House - January 30 – 6 pm to 9 pm | Cari Lynn Gawletz works within the tradition of collage, using printed and archival materials to reframe existing images. Her practice reflects the influence of research and library spaces, where meaning is built through selection, layering, and recontextualization.

January 31 – April 25 | Opening Reception - January 30 – 6 pm to 9 pm | Artist Talk - January 31 - 2 pm | Nicola Harwood’s exhibition It Will Hurt Less If You Relax reflects on the uneasy terrain of adulthood—where conviction gives way to adaptation, and struggle does not always yield the reward we expect. Rooted in the landscapes and mythologies of the Okanagan and Kootenays, these paintings place human and animal figures within environments shaped by resilience, risk, and transformation. Drawing on trickster logic, religious iconography, and moments of quiet connection, Harwood’s work considers how meaning often emerges only after disruption, inviting viewers to reflect on survival not as victory, but as recalibration.

January 31 – April 25 | Opening Reception - January 30 – 6 pm to 9 pm | Artist Talk - January 31 - 1 pm | Domestic Fetishes is an exhibition by Susan Andrews Grace that examines the symbolic weight of domestic space, material, and ritual. Through restrained palettes and charged forms, the work reflects on intimacy, memory, and the quiet tensions embedded in everyday objects—inviting viewers to consider how personal histories and cultural expectations are held, concealed, and revealed within the home.

Ongoing | Form and Echo: a look at figure and feeling. These works range from realist to abstract over a 100 year period.

November 18 - December 23 | Open House December 13 – 1 pm to 3 pm | Standing in the fourth quarter of the Wheel of Life, Sandra Shore has turned her attention toward the quiet poetry of decomposition — the way natural objects surrender to time, and how that surrender reveals its own unexpected radiance.

Exhibition from November 25 - December 5 | SD51 students have been painting side by side in the Ted Fogg Gallery to create LAYERCAKE — a massive collaborative artwork layered with colour, texture, and imagination. With the help of local tradesmen the large canvases were transformed into individual pieces for exhibition.

October 4 - November 8 | Open House October 4 – 1 pm to 3 pm | Photography for me is a study of the seasons, knowing when to go to certain places to find the ethereal lighting, colours, textures and composition. So it is the adventure, the awe inspiring moments when I’m caught speechless by natures magic. Like floating in my kayak on Jewel Lake in the morning mist and meeting with the loons.

August 16 – November 8 | Opening Reception August 15 – 6 pm to 9 pm | Hannah Jickling and Reed H. Reed have been collaborating since 2006. Their projects take shape as public installations, social situations and events that circulate as photographs, videos, printed matter, and artists’ multiples. They have facilitated many collaborative research projects with children, most notably Big Rock Candy Mountain (2015–). Reed and Hannah have exhibited and performed internationally, with both individual and collaborative work.

August 16 – November 8 | Opening Reception August 15 – 6 pm to 9 pm | TRUCK is a full throttle arts collective of artists Drew Pardy, Emily Neufeld, and Annie Canto. TRUCK formed in an effort to explore resourcefulness and its ties to masculinity observed by the artists' upbringings in rural towns across the continent. Through labour-based performances documented in large format photos and looping videos, the artists explore gender identity, rural/urban communities, and the patriarchal labour culture that abounds in extractive industries. Across projects, TRUCK's fashionable if not industrious avatars interact with the truck simultaneously as a stage, mark making device, resting place, workbench, confidant, adversary, and dress-up closet.

August 16 - September 27 | Opening Reception August 15 – 6 pm to 9 pm | Artist Talk August 16 - 1 pm | This collection of work that has been inspired by the places where I have spent most of my time and have considered home. I am always drawn to, and at times torn from these places. I consistently return to them year after year. I come from away to return home.

May 10 – August 2 | Opening Reception May 9 – 6 pm to 9 pm | Artist Talk May 10 – 1 pm | Controlled Burn is a site-adaptive video and sound installation that documents a barn burning that took place in the small town of Listowel, Ontario in 2018. A blank model of the barn suspended from the ceiling of the gallery serves as a 3-dimensional screen for video documentation of the fire. Behind the barn, a large single-channel video is projected onto and through a netted screen, filling the entire Reid Gallery with the video.

May 10 – August 2 | Opening Reception May 9 – 6 pm to 9 pm | Artist Talk May 10 – 2 pm | Give or Take a Few Million Years references Earth’s deep and complex history. The exhibition explores an intimate view of geology through imagery and concepts that focus on knowledge, care, and connection to the land. Carol Wallace offers a visual anthology of stories archived in the rocks, providing an embodied understanding of Earth using textiles, video projection, ink drawings, sound, and sculpture.

March 29 to May 3 | Open House March 29 - 1 PM to 3 PM | Unsellable Objects recalls these lofty goals through a series of small objects sitting quietly in the gallery with no other job than to change the air around them.

May 10 – June 21 | Opening Reception May 9 – 6 pm to 9 pm | Merielle Kazakoff's affinity for the natural environment within the Boundary Region is captured in moments with flora and fauna through her photographic lens.

The stand-alone objects are re-manufactured trees which in time could be assumed to be what a forest is, and by our social nature assimilated as real. The concept of taking the drawings on paper attached to wood frameworks to become trees emphasizes the extent to which we as humans will travel to justify the costs of our desires. Join us on February 1st at 1 pm to hear David's Artist Talk.